Jack the giant killer budget how to#

Influx Magazine rated it 'D' and called it 'pretty bad'. In the tradition of The Asylum's catalog, Jack the Giant Killer is a mockbuster of the New Line Cinema/ Legendary Pictures film Jack the Giant Slayer. The film was released direct-to-video and on video-on-demand on March 12, 2013.

Jack the giant killer budget how to#

When the beasts make their way down to Earth, he must figure out how to get back down and save everyone from the oncoming threat. Running time: 113 MIN.After climbing a giant beanstalk, Jack discovers a land in the clouds populated by evil beasts. Yeatman visual effects producer, Arthur Windus visual effects, Digital Domain, MPC, Soho VFX, Tata Elxsi, Hatch FX, Gener8 stunt coordinator, Steve Dent 3D stereographer, Chris Parks associate producers, Ottman, Jonathan Stein assistant director, Jamie Christopher second unit camera, Mike Brewster casting, Nina Gold, Roger Mussenden, Jeremy Rich. Screenplay, Darren Lemke, Christopher McQuarrie, Dan Studney story, Lemke, David Dobkin.Д¬amera (Technicolor, 3D), Newton Thomas Sigel editors, John Ottman, Bob Ducsay music, Ottman production designer, Gavin Bocquet supervising art director, Peter Russell art directors, Peter James, Gary Tomkins, Rod McLean, Phil Harvey, Mark Harris, Sophie Hervieu set decorator, Richard Roberts costume designer, Joanna Johnston sound (Dolby Digital/Datasat/SDDS), Peter Lindsay sound designer, Mark Mangini re-recording mixers, Tim LeBlanc, Gregg Landaker, Rick Kline special effects supervisor, Dominic Tuohy special effects coordinator, Carmila Gittens visual effects supervisor, Hoyt H. Despite a worldwide marketing budget of over 100 million, on top of the production budget of 200 million, Yahoo reports that the film has so far only earned only around 157 million since its March 1st release date, with THR. Executive producers, Thomas Tull, Jon Jashni, Alex Garcia, Toby Emmerich, Richard Brener, Michael Disco, John Rickard. Legendary Pictures hasn't been so lucky with its big-budget, CGI-heavy fantasy adventure Jack the Giant Slayer.

Moritz, David Dobkin, Ori Marmur, Bryan Singer, Patrick McCormick. release of a New Line Cinema presentation in association with Legendary Pictures of an Original Film/Big Kid Pictures/Bad Hat Harry production. The tepid love story between genial Jack and boring Isabelle leaves no more of an impression than the third actвЂ™s extended storming-the-castle climax, which feels too derivative of вЂњThe Lord of the RingsвЂќ and other medieval epics to generate more than passing interest.ДЄ Warner Bros. While the beanstalk yarn has typically been adapted as cartoon shorts or for television or video, the more action-oriented legend did become a medium-sized live-action adventure with stop-motion effects in 1962s Jack the Giant Killer. ItвЂ™s never quite clear whether the material is being played straight, with a wink, or somewhere down the middle. draws from both that childrens tale and an Arthurian variation a hundred years older. Caruso as director in 2009, Singer seems to be helming on autopilot here the overall effect is about as enchanting as a golf-cart tour of a Renaissance Faire. The leader of these plus-plus-sized predators is a two-headed monster played by, but in no way resembling, Bill Nighy - especially since the smaller, stupider head owes at least a partial authorial debt to Dr.

Thus begins a long climb-and-rescue expedition, during which Jack and Elmont must battle not only Roderick, but also that army of expectedly foul, oafish, man-eating giants. Once Jack has accidentally spilled and watered the beans, they give rise to a writhing beanstalk (an impressive blend of plywood, foam, plaster, rubber and CGI) that shoots up into the heavens, unfortunately taking the poor princess with it. Also on hand are a Isabelle (Eleanor Tomlinson), a wayward princess stifled by her palatial upbringing Elmont (Ewan McGregor), a gallant knight tasked with protecting her Roderick ( Stanley Tucci), a conniving royal with designs on the kingdom and other models of narrative non-invention crammed into the script by Darren Lemke, Dan Studney and Christopher McQuarrie (who was brought in by Singer for a rewrite). But thatвЂ™s little more than a fondly remembered childrenвЂ™s story for orphaned farmhand Jack ( Nicholas Hoult), who wanders into town to sell a horse and comes away with a bag of mysterious beans.ДЄs it happens, the town is called Cloister and the bean-seller is a fugitive monk, introducing an element of clerical intrigue into the storyвЂ™s otherwise routine mashup of fabled figures.

A rushed and unattractively animated prologue lays out the filmвЂ™s underlying mythology, involving a race of giants who have spent centuries vowing revenge on the humans who banished them to Gantua, their kingdom in the clouds.